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L’Education Musicale, March 2009 (Sylvianne Falcinelli) Jérôme Dorival does not exaggerate in hearing prefigurations of Chopin, Schumann, and even Brahms (Etude n° 104) in the most modern of the etudes composed between 1788 and 1810 for the Cours complet pour l’enseignement du fortepiano. Even the Sonatas, which more or less […]